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In every art there is a diabolical principle which acts against it and tries to demolish it nodali ty 69 Film as Translation In 1997 I was interviewed by the poetry journal Parnassus on the subject of literary adaptation and The English Patient , and in the course of my conversation with the interviewer, Joy Katz, I offered an analogy that film-makers adapting a novel are performing a kind of multilevel translation from the language of text to the language of moving images and sound and that the old Italian adage traduttore, traditore (the translator is a traitor) particularly applies: an attempt to be overly faithful to the text often results in a damming-up of the deeper currents of the project, so that an artful betrayal of the original work seems to serve an adaptation best, something along the lines of Picassos dictum Art is a lie that tells the truth. 7 Driving home after the interview, however, I was struck by the fact that I didnt really know what I was talking about, as far as language translation was concerned

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