Control layout: Volume 1, volume 2, tone 1, tone 2
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And the interesting thing is that it all seems to wind with supreme dark logic out of a lyric collage of images from Christian myth, from "Hallowed Be My Name's" antichrist or borderline-La Vey assertion of personal Godhood rubbishing the heritage of Theocratic authoritarianism, through "Second Coming" which suggests that the protagonist is so spiritually elevated or disconnected from reality that he muses of walking on the water and talking "again to angels." Seer or flip, the vision ricochets and explodes in his face, burning cross the bridge to the full vat of claustrophobic horror when Alice Frye surveys his cold ward and ends up shrieking just a tad too proximate to some suffering sap in a Broadway musical: "I gotta-get-OUT-ofhere
"I was like, 'What do you mean, say something?' and when I said it she bent down, she smelled the cigarette smoke on my breath." Cole described the moment his mom confronted him as "life-changing." "After that, I didn't need much correction, I became a self-corrector," he said
