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Hardy superimposed bows
in pursuit of the fabled ‘American dream’
ultimately interrogating the signifiers of violence embedded in such attire
alongside an oral history of the film’s making by Keaton Bell and a new in-conversation between Durham and Coppola
Positive Illusions Christian Patterson Hardy superimposed bowsUsing CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedmans recreated scenes of roadside diners, pools, and picnics create a visceral and sensory dreamscape, evoking the sounds and
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